In Shadow of the Tomb Raider, Lara Croft will be putting her knowledge of Maya mythology and archaeology to the test as she races against time to save the world from impending doom. To celebrate the game’s upcoming release, I will be paying tribute to some of the greatest female Mayanists in a new monthly series of articles, simply titled “Mayanist of the Month”.
The study of Mesoamerica’s Maya civilisation has attracted scholars from a variety of social and academic backgrounds. From Victorian-era artists to modern-day anthropologists and epigraphers, women have been responsible for some of the field’s most significant developments and discoveries, achievements I plan to showcase throughout the course of this monthly series.
Update: Sadly, this was the only entry in my “Mayanist of the Month” series; I took a break from blogging shortly after publishing this and ended up missing most of Shadow of the Tomb Raider’s promotional campaign.
Our first Mayanist of the Month is the Russian-born archaeologist and epigrapher, Tatiana Proskouriakoff (1909-1985).
Tatiana Proskouriakoff was born in the Siberian city of Tomsk in January 1909 to physician Alla Nekrassova and her chemist husband, Avenir Proskouriakoff, and showed a talent for art and languages from an early age. In 1915, the Proskouriakoff family moved to the United States when Tatiana’s father was asked to oversee the production of munitions for Russia’s WWI war efforts; the family chose to stay in their adoptive country following the outbreak of the Russian Revolution two years later.
A gifted scholar and artist, Tatiana went on to study for a degree in architecture at Pennsylvania State College (today’s Pennsylvania State University) and graduated in 1930, as the only woman in her class, no less. But her promising career in architecture was cut short; Tatiana graduated during the early years of the Great Depression and architecture jobs were in short supply. Instead, the aspiring architect worked for a short time as a clerk before landing a position that change her life – and the study of Maya civilisation – forever.
Drawing on her skills as an architect and artist, Tatiana volunteered her services by preparing sketches for the University of Pennsylvania’s Classics department in exchange for access to the university library. Her impressive art skills soon caught the eye of archaeologist Linton Satterthwaite (1897-1978), a Maya expert who was overseeing the excavations at the Piedras Negras site in north-eastern Guatemala. He was so taken with the painstaking accuracy and detail of her sketches that he invited her to join the university’s 1936 expedition to Piedras Negras, thus launching Tatiana’s long and fruitful career as a Mayanist.
Although she lacked formal training as an archaeologist, Tatiana soon learned the ropes and got a feel for archaeological field work. And while she had abandoned hope of pursuing a career in architecture, her draftsman training allowed her to identify key aspects of Maya architecture and visualise what the crumbling structures at Piedras Negras may have looked like in their heyday.
Tatiana’s reconstruction drawing of the Piedras Negras Acropolis attracted the attention of Sylvanus Griswold Morley (1883-1948), an epigrapher and Maya archaeologist working for the Carnegie Institution of Washington. Morley recognised the budding Mayanist’s potential and helped raise funds to send Tatiana to Copán, Uxmal, Chichén Itzá, and other sites across Honduras and Mexico, where she produced a series of drawings that would later be published by the institution in the 1946 volume, An Album of Maya Architecture.
Shortly after completing her assignment, Tatiana was offered a research associate position at the Carnegie Institution of Washington and went on to publish a second book, A Study of Classic Maya Sculpture (1950), which was an in-depth study of the evolution of Maya art and iconography across several centuries. From then on, Tatiana’s focus shifted away from the study of Maya architecture to epigraphy, where she was to play a pivotal role in the decipherment of the Maya written language.
Building on the groundwork laid by fellow epigrapher Yuri Knorozov (1922-1999), who argued that Maya glyphs had phonetic components, Tatiana set out to prove that the inscriptions found on Maya monuments and stelae were, in fact, historical records of their rulers and conquests. Up until then, the prevailing view was that the Maya had no written history, that the inscriptions found at Maya sites were purely religious in nature and dealt with the passage of time and other astronomical matters. The leading expert at the time, J.E.S. Thompson, refused to accept Knorozov’s theory that Maya script was logosyllabic and was dismissive of Tatiana’s “historical hypothesis”.
Tatiana was undeterred. She had already begun examining inscriptions from the Piedras Negras and Yaxchilan sites and by 1960, she had successfully identified the glyphs for “birth” and “accession”. This breakthrough opened the academic floodgates, proving that the Maya did record the lives and feats of their rulers and paving the way for the decipherment of centuries-old glyphs and texts. Maya history was slowly reclaimed from the mists of time and huge advancements were made in the field of Maya studies, all thanks to Tatiana’s pioneering research and her willingness to challenge the academic status quo.
A scholar till the end, Tatiana passed away on August 30, 1985, following a lengthy illness and her ashes were later buried at her beloved Piedras Negras. She never married or bore any children but she left behind a legacy and enjoyed an academic career that any modern-day Mayanist can only dream of.
If you would like to learn more about Tatiana Proskouriakoff’s life and academic achievements, check out the list below or treat yourself to a copy of Char Solomon’s biography, Tatiana Proskouriakoff: Interpreting the Ancient Maya.
Sources & Further Reading
- A Study of Classic Maya Sculpture by Tatiana Proskouriakoff (Carnegie Institution of Washington, 1950)
- Marvellous Monday Archaeologist of the Week: Tatiana Proskouriakoff by Maureen Callahan (Penn Museum Blog, 2009)
- “Morley Hires Tatiana Proskouriakoff” by Khristaan D. Villela in PARI Journal, Vol.1 No.2, Fall 2000 (Pre-Columbian Art Research Institute, 2000)
- “Pioneers in Maya Archaeology: Tatiana Proskouriakoff” by Dave Quarterson (Institute of Maya Studies, 2012?)
- “Tatiana Proskouriakoff” by Catherine Dyer Klein and Karen Bachman Barnett in Mark C. Carnes (ed.), American National Biography: Supplement 2 (Oxford University Press, 1999)
- Tatiana Proskouriakoff (Wikipedia)
- “Tatiana Proskouriakoff (1909-1985)” in Marilyn Ogilvie and Joy Harvey (eds.), The Biographical Dictionary of Women in Science: L-Z (Taylor & Francis, 2000)
- Tatiana Proskouriakoff (1909-1985) and her Contributions to Mesoamerican Archaeology by Char Solomon (Yucatan Adventure, 2007)
- Tatiana Proskouriakoff: Drawing Out the Ancient Maya by Suzanne Pilaar Birch (Trowelblazers, 2015?)
- Tatiana Proskouriakoff Dies; Key Figure in Mayan Studies by Walter Sullivan (The New York Times, 1985)
- Tatiana Proskouriakoff: Interpreting the Ancient Maya by Char Solomon (University of Oklahoma Press, 2002)
- “The Accidental Mayanist: Tatiana Proskouriakoff” by Alessandro Pezzati in Expedition Magazine, Vol.54, Issue 3 (Penn Museum, 2012)
- “Translating Maya History” by Zach Zorich in Archaeology, Vol.64, Issue 5 (Archaeological Institute of America, 2011)
- “Two Letters to Tatiana Proskouriakoff from J. Eric S. Thompson (1958-1959)” by Carl Callaway in PARI Journal, Vol. 14, No.4 (Spring 2014) (Pre-Columbian Art Research Institute, 2014)